Global Live IP Broadcast Equipment Market Overview:
Live IP Broadcast Equipment Market Size was valued at USD 0.3 Billion in 2022. The Live IP Broadcast Equipment market industry is projected to grow from USD 0.34 Billion in 2023 to USD 1.14 Billion by 2032, exhibiting a compound annual growth rate (CAGR) of 16.00% during the forecast period (2023 - 2032). Transition to IP-based workflows, increase in high-definition (HD) and ultra-high-definition (UHD) content, rise of live streaming platforms, cloud-based production and distribution, virtualization and software-defined networking (SDN), integration of artificial intelligence (AI), growing demand for real-time analytics, IP-based infrastructure cost-effectiveness, standardization and interoperability efforts, are the key market drivers enhancing the market growth.
Source: Secondary Research, Primary Research, MRFR Database and Analyst Review
Live IP Broadcast Equipment Market Trends
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Increase in high-definition (HD) and ultra-high-definition (UHD) content is driving the market growth
The market for live IP broadcast equipment is expanding as a result of the rising demand for high-definition (HD) and ultra-high-definition (UHD) content. Broadcasters and content producers have been forced to develop and deliver content in higher resolutions as customer expectations for better visual experiences have increased. The adoption of cutting-edge IP-based broadcast equipment that can handle and transmit massive volumes of data with low latency as a result of this transition toward higher quality content offers numerous significant advantages that fuel market expansion.
Broadcasters and content producers have been forced to improve their production and delivery infrastructure as a result of the demand for HD and UHD content. When handling high-resolution material, traditional baseband systems frequently have bandwidth and processing power constraints. On the other side, IP-based solutions provide greater scalability and flexibility, enabling the seamless integration of better material into broadcast operations. Broadcasters may quickly adjust their infrastructure to enable the distribution of HD and UHD content with IP-based gear without having to make significant hardware improvements.
The expansion of large-screen high-definition displays and UHD televisions in homes throughout the world has been strongly linked to the growth of HD and UHD content. Because consumers are used to viewing content in clear, vivid detail, there is a greater demand for broadcasters to offer content in these formats. To serve the expanding number of viewers with UHD-capable devices, broadcasters must invest in IP-based technology that can effectively manage and transmit high-resolution content. The emergence of live streaming services has been a major factor in raising demand for HD and UHD content. With the opportunity to access live events, sports, and entertainment content in real-time, platforms like YouTube Live, Facebook Live, and Twitch have grown in popularity. Broadcasters and content producers had to modify their processes to include IP-based solutions that can allow live streaming of high-quality material without compromising on latency or dependability in order to fulfill the demands of these online viewers. Thus, driving the Live IP Broadcast Equipment market revenue.
Live IP Broadcast Equipment Market Segment Insights:
Live IP Broadcast Equipment Product Insights
The Live IP Broadcast Equipment Market segmentation, based on Product, includes Encoders and Convertor, Transmitter and Gap Fillers, Routers & Switches, Amplifiers, Antennas, Modulators & Repeaters, Signal Processing Unit, Video Servers and others. The encoders and convertor segment dominated the market in 2022. The transition of the broadcasting sector from outdated baseband systems to IP-based workflows has been happening gradually. As they connect the IP network to the current infrastructure, encoders and converters are crucial in this shift.
Live IP Broadcast Equipment Application Insights
The Live IP Broadcast Equipment Market segmentation, based on Application, includes Broadcast Production Centers, Broadcast Stadium and Outside Broadcast Vans. The broadcast production centers category generated the most income in 2022. Sports, concerts, award shows, and news coverage are just a few examples of the live events that generate a lot of viewing and advertising money. With several camera feeds, real-time editing, graphics integration, and seamless content delivery, broadcast production centers can manage live broadcasts.
Figure 1: Live IP Broadcast Equipment Market, by Application, 2022 & 2032 (USD Billion)
Source: Secondary Research, Primary Research, MRFR Database and Analyst Review
Live IP Broadcast Equipment Regional Insights
By region, the study provides the market insights into North America, Europe, Asia-Pacific and Rest of the World. The North America Live IP Broadcast Equipment Market dominated this market in 2022 (45.80%) because there are more producers of broadcast equipment in the area, including Arrakis Systems, Comrex USA, Cisco Systems, and others. The overall expansion of the Live IP broadcast Equipment market is also being impacted by the region's growing access to higher-speed internet at reasonable prices. Further, the U.S. Live IP Broadcast Equipment market held the largest market share, and the Canada Live IP Broadcast Equipment market was the fastest growing market in the North America region.
Further, the major countries studied in the market report are The U.S., Canada, German, France, the UK, Italy, Spain, China, Japan, India, Australia, South Korea, and Brazil.
Figure 2: Live IP Broadcast Equipment Market SHARE BY REGION 2022 (USD Billion)
Source: Secondary Research, Primary Research, MRFR Database and Analyst Review
Europe Live IP Broadcast Equipment market accounts for the second-largest market share. Numerous live events, including sporting competitions, music festivals, cultural celebrations, and political meetings, take place around Europe. Increased expenditures in IP-based broadcast technology are made in order to effectively cover and broadcast live events as a result of the significant viewership and financial impact these events have. Further, the German Live IP Broadcast Equipment market held the largest market share, and the UK Live IP Broadcast Equipment market was the fastest growing market in the European region
The Asia-Pacific Live IP Broadcast Equipment Market is expected to grow at the fastest CAGR from 2023 to 2032 due to the growing number of electronic component manufacturing facilities that are heavily invested in implementing cutting-edge technologies. Additionally, the media and entertainment industries are expanding rapidly in nations like China, Japan, and India, and the consumer base for higher-quality media is having an impact on the expansion of the Asia-Pacific Live IP broadcast equipment market. Moreover, China’s Live IP Broadcast Equipment market held the largest market share, and the Indian Live IP Broadcast Equipment market was the fastest growing market in the Asia-Pacific region.
Live IP Broadcast Equipment Key Market Players & Competitive Insights
Leading market players are investing heavily in research and development in order to expand their product lines, which will help the Live IP Broadcast Equipment market, grow even more. Market participants are also undertaking a variety of strategic activities to expand their global footprint, with important market developments including new product launches, contractual agreements, mergers and acquisitions, higher investments, and collaboration with other organizations. To expand and survive in a more competitive and rising market climate, Live IP Broadcast Equipment industry must offer cost-effective items.
Manufacturing locally to minimize operational costs is one of the key business tactics used by manufacturers in the global Live IP Broadcast Equipment industry to benefit clients and increase the market sector. In recent years, the Live IP Broadcast Equipment industry has offered some of the most significant advantages to medicine. Major players in the Live IP Broadcast Equipment market, including Ikegami Tsushinki Co. Ltd (Japan), TAMURA Corporation (Japan), ETL Systems Ltd (UK), Harmonic Inc. (US), EVS Broadcast Equipment SA (Belgium), Telefonaktiebolaget LM Ericsson (Sweden), Euro Media Group (France), Eletec Broadcast Telecom SARL (France), Sony Corporation (Japan), Belden Inc. (US), Evertz Microsystems Ltd (Canada), Cisco Systems Inc. (US) and others, are attempting to increase market demand by investing in research and development operations.
The company Harmonic Inc. (Harmonic) creates, develops, and sells system solutions, software for video distribution, and other related goods. The business provides solutions for playout and storage, cloud-media computing, contribution and distribution, broadband connectivity, and video processing. Additionally, it provides networking services for internet access, including CableOS central cloud services, broadband services, and broadband access solutions. Through its direct sales team, independent resellers, and system integrators, Harmonic provides services to cable operators, satellite and telecommunications Pay-TV service providers, and media and broadcasting enterprises. The corporation has activities in the Americas, the Middle East, Europe, Africa, and the Asia-Pacific region. The US city of San Jose, California, is home to Harmonic's headquarters.
Electronics, semiconductors, medical equipment, tools, and devices are all produced by Sony Group Corp. (Sony). Televisions, cell phones, cameras, music systems, game consoles, software, batteries, and other electronic parts are among the company's goods. In addition to running television and digital networks, Sony creates, acquires, and distributes movie pictures, television shows, and recorded music. The business advertises its goods through distributors, sales divisions, and online direct sales. It sells goods under the brands Airpeak, Sony, PlayStation, Walkman, Blu-ray, Cyber-shot, Bravia, Exmor, and Experia. The corporation has operations in the Americas, Europe, the Middle East, Asia-Pacific, and Africa. The headquarters of Sony are in Minato-Ku, Tokyo, Japan.
Key Companies in the Live IP Broadcast Equipment market include
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Ikegami Tsushinki Co. Ltd (Japan)
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TAMURA Corporation (Japan)
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ETL Systems Ltd (UK)
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Harmonic Inc. (US)
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EVS Broadcast Equipment SA (Belgium)
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Telefonaktiebolaget LM Ericsson (Sweden)
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Euro Media Group (France)
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Eletec Broadcast Telecom SARL (France)
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Sony Corporation (Japan)
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Belden Inc. (US)
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Evertz Microsystems Ltd (Canada)
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Cisco Systems Inc. (US)
Live IP Broadcast Equipment Industry Developments
October 2022: Alaraby Television received an IP HD/4K-ready Live Production studio from Sony in partnership with Ideal Systems Group in preparation for the FIFA World Cup Qatar 2022. Sony's Live System Management (LSM) and IP Control Software are among the options for the IP live production system's signal routing, setup, and control. Additionally, Sony provided 11 4K HDC-3500 system cameras, two XV-S7000 multi-format video switchers, and operability for mid-range productions.
May 2022: As a one-stop shop for system integration consulting and services, Sky Wire Broadcast has grown. for Indian clients of broadcast and ed-tech. Renowned for its wide selection of products and services, Sky Wire Broadcast has provided its customers with the newest NDI and SRT technology with the introduction of PTZ Camera Series, Video Switchers, Wireless Video Transmitters, and other products. The increased variety reflects an expansion of Sky Wire Broadcast's product offerings for clients across all market segments and industry verticals, including TV stations, colleges, and universities
Live IP Broadcast Equipment Market Segmentation:
Live IP Broadcast Equipment Product Outlook
Live IP Broadcast Equipment Application Outlook
Live IP Broadcast Equipment Regional Outlook
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Europe
- Germany
- France
- UK
- Italy
- Spain
- Rest of Europe
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Asia-Pacific
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China
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Japan
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India
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Australia
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South Korea
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Australia
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Rest of Asia-Pacific
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Rest of the World
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Middle East
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Africa
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Latin America
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Report Attribute/Metric
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Details
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Market Size 2022
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USD 0.3 Billion
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Market Size 2023
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USD 0.34 Billion
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Market Size 2032
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USD 1.14 Billion
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Compound Annual Growth Rate (CAGR)
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16.00% (2023-2032)
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Base Year
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2022
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Market Forecast Period
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2023-2032
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Historical Data
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2018- 2022
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Market Forecast Units
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Value (USD Billion)
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Report Coverage
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Revenue Forecast, Market Competitive Landscape, Growth Factors, and Trends
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Segments Covered
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Product, Application, and Region
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Geographies Covered
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North America, Europe, Asia Pacific, and the Rest of the World
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Countries Covered
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The U.S., Canada, German, France, UK, Italy, Spain, China, Japan, India, Australia, South Korea, and Brazil
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Key Companies Profiled
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Ikegami Tsushinki Co. Ltd (Japan), TAMURA Corporation (Japan), ETL Systems Ltd (UK), Harmonic Inc. (US), EVS Broadcast Equipment SA (Belgium), Telefonaktiebolaget LM Ericsson (Sweden), Euro Media Group (France), Eletec Broadcast Telecom SARL (France), Sony Corporation (Japan), Belden Inc. (US), Evertz Microsystems Ltd (Canada), Cisco Systems Inc. (US)
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Key Market Opportunities
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Expanding OTT services and multi-channel networks for direct-to-consumer products, particularly in developed markets.
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Key Market Dynamics
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Increasing demand for content in Ultra High Definition (UHD) shift away from open architecture- and hardware-based goods to software-based ones. Investments in high-speed internet infrastructure.
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Live IP Broadcast Equipment Market Highlights:
Frequently Asked Questions (FAQ) :
The Live IP Broadcast Equipment Market size was valued at USD 0.3 Billion in 2022.
The global market is projected to grow at a CAGR of 16.00% during the forecast period, 2023-2032.
North America had the largest share in the global market
The key players in the market are Ikegami Tsushinki Co. Ltd (Japan), TAMURA Corporation (Japan), ETL Systems Ltd (UK), Harmonic Inc. (US), EVS Broadcast Equipment SA (Belgium), Telefonaktiebolaget LM Ericsson (Sweden), Euro Media Group (France), Eletec Broadcast Telecom SARL (France), Sony Corporation (Japan), Belden Inc. (US), Evertz Microsystems Ltd (Canada), Cisco Systems Inc. (US).
The Encoders and Convertor category dominated the market in 2022.
The Broadcast Production Centers had the largest share in the global market.
